Paloma Press is pleased to announce the release of its 20th book, MARCELINA: A meditation on the murder of Cecilia “Celing” Navarro, by Dr. Jean Vengua.
Official Release Date: September 2020
Available now through Lulu’s distribution partners. To purchase directly from the publisher or to inquire about review copies, please email: editor[at]palomapress.net.
*An event to launch Jean Vengua’s Marcelina: A meditation on the murder of Cecilia “Celing” Navarro will take place in October, to coincide with the world premiere of the 2020 Los Angeles Asian Pacific Film Festival which will feature the documentary THE CELINE ARCHIVES directed by Professor Celine Parreñas Shimizu.
You must sit down to read Jean Vengua’s “Marcelina”—an epic poem for our times. Bringing to light the lived experience of a young Filipina American immigrant woman in the 1920s and 1930s Central California, she captures a powerful event that can no longer remain buried. Vengua’s passionate writing braids history, geography, gender, ethnicity and race to illumine why we must now dig up those discarded in the levees of our past. The silencing forces of history are undone by Jean Vengua’s writing. Through her, we can finally know about and feel Celine Navarro’s life.
—Celine Parreñas Shimizu, director of THE CELINE ARCHIVE (2020)
It is an honor to revisit Jean Vengua’s long poem, “Marcelina,” two decades after it was first published in the anthology Babaylan. “Marcelina” is jarring in its quiet, meditative moments, contrasted against voices and acts of historical violence. Vengua asks us to join her, to unearth our buried history and herstory, look hard at the violences we have inflicted upon our own. Vengua resists the insularity, the suffocation of that history, pays back this violence with witness, with gentle words. She pays respect to the woman, Marcelina, by honoring the earth in which she was interred.
—Barbara Jane Reyes, author of Invocation to Daughters and Letters to a Young Brown Girl
ABOUT THE AUTHOR
Jean Vengua is a Filipinx American poet and visual artist, author of Corporeal (Black Radish Books), Prau (Meritage Press), and The Aching Vicinities (Otoliths Press. Chapbook). With Mark Young, Vengua co-edited the First Hay(na)ku Anthology, and The Hay(na)ku Anthology Vol. II. As co-publisher of Tulitos Press with Elizabeth H. Pisares, she published/edited the Debut: The Making of a Filipino American Film by Gene Cajayon and John Manal Castro, and The Flipside, by Rod Pulido. Jean was born in San Francisco, raised in Santa Cruz, and lives in Monterey, CA. Her art and writing can be viewed at jeanvengua.com
ABOUT PALOMA PRESS
Established in 2016, Paloma Press is a San Francisco Bay Area-based independent literary press publishing poetry, prose, and limited edition books. Paloma Press believes in the power of the literary arts, how it can create empathy, bridge divides, change the world. We actively engage in “bayanihan”—a term which encompasses community strengthening and cooperation, and nourishing connections and shared identities. To this end, we have released fundraising chapbooks such as MARAWI, in support of relief efforts in the Southern Philippines; and AFTER IRMA AFTER HARVEY, in support of hurricane-displaced animals in Texas, Florida, and Puerto Rico. As part of the San Francisco Litquake Festival, we proudly curated the wildly successful literary reading, “THREE SHEETS TO THE WIND,” and raised money for the Napa Valley Community Disaster Relief Fund. In 2018, the fundraising anthology, HUMANITY, was released in support of UNICEF’s Emergency Relief campaigns on the borders of the United States and in Syria. Paloma Press continues to donate a portion of its proceeds to non-profits committed to working for racial justice, animal rights, marginalized communities, and climate change.